I thought story lines were "song lines"? ALL human cultures use the
Octave,1:2, Perfect Fifth, 3:2, and Perfect fourth, 4:3 - only in the
West was the music tuning "contained" as a "closed" geometry to create
equal-tempered tuning (that's really OUT of tune as mass mind control).
https://www.youtube.com/watch?v=XQJNHEL3kCI Why is the Rainbow Snake so
central to different cultures? It's from the San Bushmen culture
through tantra the female life force energy is "appropriated" as a
psychic force - called Jing in Daoism - it is then transposed or
transmuted into a higher frequency - the red lines of the San Bushmen
are transmuted through trance dancing into the blue lines or green
lines. Daoism calls this the Female Green Dragon.
Qigong Masters can actually SMELL blood as putrid flesh - if someone has
cancer for example or if they eat too much bacon! Smell is nonlocal
quantum frequency energy. The San Bushmen describe this also.
"...a
'new maiden' to be the source of n/um (or /k'ode), the healing potency
associated with male trance healers" p. 175
Guenther, Mathias,
Tricksters and Trancers: Bushman Religion and Society,. Bloomington and
Indianapolis, Indiana University Press, 1999
"As described by N/isa,
female sexuality is to men, what male healing potency - n/um or tsso -
is to humankind."
, ibid
“You see spirits killing people. You smell
burning, rotten flesh. Then you heal, you pull sickness out. You heal,
heal, heal. Then you live.”
Healing Makes the Heart Happy
Ivan Tacey: Floods, Blood And Thunder—The Politics of the Rainbow Snake, 18 February 2020
youtube radical anthropology lecture
From Amazonia to Australia, gigantic world creating and world destroying
rainbow snakes are central to the cosmologies of indigenous peoples.
Known variously as nagas, dragons or rainbow serpents these chthonic
entitites are consistently associated with water, blood, women and
uncontrollable power. According to Batek hunter-gatherers of Malaysia,
any transgression of taboos, especially those associated with blood, are
said to cause the wrath of this chthonic serpent who releases torrents
of water that destroy entire communities. Drawing upon ethnographic
fieldwork carried out with different Batek groups over the last 15
years, Ivan Tacey discussed the rainbow serpent in Batek creation myths,
taboos, and cosmological landscapes.
After comparing Malaysian stories
of the rainbow snake with myths from Amazonia and Australia, the talk
will focus on how Batek shamans interact with the rainbow snake and
attempt to control its power to prevent catastrophes in their local
environment and faraway places. Alongside the plethora of symbols that
the rainbow snake embodies, Tacey argued she should be understood within
a framework that melds cosmology with politics.
I am an aboriginal from Australia and I would love to see them in person
Your people were first in The Americas and you decend from Africa
@Voidisyinyang Voidisyinyang Dude I don't care about that shit. We are from the land what you call Australia, but I have my traditional name for my land and story lines. I have scared sites, story lines and paintings at the back in the bush that dates way back before those dates that you are researching on line. That's my proof
@Rizz Rizz I thought story lines were "song lines"? ALL human cultures use the Octave,1:2, Perfect Fifth, 3:2, and Perfect fourth, 4:3 - only in the West was the music tuning "contained" as a "closed" geometry to create equal-tempered tuning (that's really OUT of tune as mass mind control). https://www.youtube.com/watch?v=XQJNHEL3kCI Why is the Rainbow Snake so central to different cultures? It's from the San Bushmen culture
@Rizz Rizz From Amazonia to Australia, gigantic world creating and world destroying rainbow snakes are central to the cosmologies of indigenous peoples. Known variously as nagas, dragons or rainbow serpents these chthonic entitites are consistently associated with water, blood, women and uncontrollable power. According to Batek hunter-gatherers of Malaysia, any transgression of taboos, especially those associated with blood, are said to cause the wrath of this chthonic serpent who releases torrents of water that destroy entire communities. Drawing upon ethnographic fieldwork carried out with different Batek groups over the last 15 years, Ivan Tacey discussed the rainbow serpent in Batek creation myths, taboos, and cosmological landscapes. After comparing Malaysian stories of the rainbow snake with myths from Amazonia and Australia, the talk will focus on how Batek shamans interact with the rainbow snake and attempt to control its power to prevent catastrophes in their local environment and faraway places. Alongside the plethora of symbols that the rainbow snake embodies, Tacey argued she should be understood within a framework that melds cosmology with politics.
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