Friday, November 11, 2022

Professor Michael Grosso asks me to explain noncommutativity in simple non-math terms (so I use music theory)

 BloggerMichael Grosso said...

Many thanks Drew for the generous remarks on the Joseph book, and for all the interesting references. I'll have to check out that online bio about Mun. Ramana's conversion story always fascinated me. Focusing on his death he had his great enlightenment experience. Your remarks about the heart stopping during moments of transformed consciousness really intrigue me in light the near-death experience, which is often connected with cardiac arrest, which is supposed to cancel consciousness but may in fact make possible a totally transformative experience. Your point about the "lower body chakra" corresponds to Paul MacLean's linking the reptilian brain with the "paranoid streak in man." Can you explain your mathematical research -- the concept--to non-mathematically competent like me?

Hi Michael: Thanks for your kind reply. I just finished your excellent book, "The Man Who Could Fly" - really top-notch research! Fascinatingly this "new" force as a "psychic force" that you describe William Crookes postulating has been discovered as Professor Basil J. Hiley also calls this quantum potential a "new force" as "active-information" that is nonlocal.

So to explain this concept simply well I rely on music theory because that's how I first discovered this noncommutative "new force" concept when I was only 16 years old! It was only then when I realized Fields Medal Math Professor Alain Connes' lecture on music theory called "Music of Shapes" is precisely the same secret that I had been calling "complementary opposites" - only Connes says it's the most simple explanation of noncommutativity as this nonlocal new force that he calls "2, 3, infinity."

Normally in basic math we think of 3/2 x 2/3 = 1 due to the commutative principle that we all get indoctrinated into from a young age. As Connes points out all of modern science is based on commutative geometry yet Heisenberg discovered the truth at the foundation of reality is noncommutativity. So in music theory 3/2 is the Perfect Fifth that resonates naturally as the overtone from the root tonic of "1" and so if 1 is the music note C then the octave is the same pitch as C as 2 and 3 is then G as the Perfect Fifth. But the Perfect Fifth is also the undertone to the "1" as 2/3 and yet since it is noncommutative then the pitch changes relative to the root tonic of 1. So then 3 is F as the Perfect Fifth undertone. This means that 3/2 x 2/3 now long equals 1 since the 3 changes logically from G to F.

So in Western music everyone learns that the "Perfect Fifth PLUS the Perfect Fourth = the Octave" or 3/2 plus 4/3 = 2. What people don't realize is that 4/3 can NEVER be a natural overtone of the same root tonic of 1 since the 3 is not an octave or same pitch of the 1. So for example in traditional Indian music tuning if you play a drone as the "one" and then a Perfect Fourth as 4/3 above the 1 then by LISTENING to the source of the 1 the Perfect Fourth actually creates a NEW root tonic that is an octave below. This truth is recognized by some western music theorists who then call the Perfect Fourth the "Phantom Tonic."

So it turns out that Philolaus was the first to create this modern Western math from music theory by introducing the concept of geometric magnitude as an irrational "alogon" - and he did this by FLIPPING his Lyre or musical instrument around, thereby hiding the fact that Philolaus had changed the root tonic value. Therefore the Perfect Fourth is derived from the root tonic of 0 to 8 as 6/8 wavelength for a 4/3 frequency while the Perfect Fifth is from the 0 to 12 root tonic with 8/12 wavelength for a 3/2 frequency of 12/8. Therefore 3/2 plus 4/3 = 2 or 12/8 plus 8/6 = 12/6.

So this means Philolaus redefined music as based on the visual measurement of geometric ratios or the "ratio of ratios" as the first "irrational magnitude" or commutative geometry logarithm. This was then used by Archytas as the basis for Platonic philosophy that all of Western "civilization" relies on - and yet it was founded on what I call the Liar of the Lyre!!

I have a free book on this called "Ancient Advanced Acoustic Alchemy" that gives images for more details. Also I have another free book called "Strange Vibrations" - they are both on my academia.edu site as "drew hempel."

Of course if you know someone who wants to publish this information so it gets into the library databases, etc. Just let me know and I can rewrite this analysis so it gets past the copyright limitations, etc.

I have studied this concept since again I was 16 years old and by 1995 I realized this was the secret of nonwestern meditation as alchemy. The "three gunas" of India are based on this same secret - and it's what Ramana Maharshi calls the "Undifferentiated Triad." (or something like that).

In Daoism the Perfect Fifth is yang and the Perfect Fourth is yin and this is the truth of Orthodox Pythagorean philosophy also.

In fact all human cultures use the basic 1:2:3:4 music intervals only as modern Westerners we don't realize that this is the truth of nonlocality due to noncommutativity! Instead we are all brainwashed by the wrong Platonic "alogon" music math that math professor Luigi Borzacchini calls the "deep pre-established disharmony" as the "guiding evoltive principle" of western science.

 https://www.academia.edu/90568173/MARP_Drive

 See my new upload for further details.

thanks

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