A Sycophant Brown-No$er stumbles in the wrong verb tense to POOH-tin dicktaster fascist
Goldfinger - NO I expect you to Die! video clip
The "strong man" Chimpanzee Cult in the U.S. keeps Brown-No$ing to "Mr. Pooh-tin" while not mentioning that his $62,000 toilet probably got plugged up or something....As POOH-tin commits War Crimes to wipe out the Ukrainian civilization - the Fascists in the U.S. keep repeating over and over - "Why doesn't Ukraine just declare itself Neutral?"
As if Poohtin gets to decides what is "Neutral" for the Ukrainians. Who can fault the Ukrainians for wanting to be European and not under the constant killer control of a crazy Chimpanzee Cult dick-taster. Pooh-tin says he doesn't want Ukraine to be "westernized" yet Pooh-tin's Oligarchs with 800 billion dollars in off-shore "capital flight" accounts - have dual-citizenship and live in Western countries, etc. So clearly Pooh-tin is jealous. haha.
This is what is so amazing - some Chimpanzee goon ATTACKS WITHOUT PROVOCATION - Ukraine has the right to do absolutely nothing - they are not required to do jack. If they want to join NATO they are not attacking anyone. Ukraine demands immediate entry into the EU while the Drumpf Cult followers demand that Ukraine hands itself over to Poohtin to decide what is "neutral."
People say - oh but if Mexico or Canada joined the Warsaw Pact.... - yes the US did an EMBARGO on Cuba. Kennedy refused to provide "air support" for the Bay of Pigs attack of Cuba - and so Kennedy got assassinated by the Fascist Nazi CIA-Mafia Chimpanzee Culture goons! That's what makes the U.S. a "democratic" or "good cop" Empire.
Is the U.S. an Evil Empire? Of course - the U.S. is the "Good cop" evil empire" while Russia is the "bad cop" evil empire. People on the left then state - why is the U.S. ignoring the millions of people in Yemen now starving from famine! Well Biden did lift the embargo on Yemen - unlike the Fascist Brown-No$er Drumpf.
So... the end game of POOH-tin is to bring back Drumpf in 2024 and to destroy NATO, etc. The Fact is that Western civilization will destroy all life on Earth soon - on Planet Earth - from Abrupt Global Warming. Mother Nature is taking revenge. The arctic is now proven to be warming Four times Faster than the rest of the planet. The Methane Bomb out of East Siberian Arctic Shelf will "blow" soon - as the methane is already accelerating.
The MegaDrought of the Western U.S. never went away - and it reaches all the way to the Midwest.
Soon it will be too hot to grow food at scale on Earth. We lost the northern spring wheat crop last year. We lost a third of California's crops. ... what will this summer be like? Ukraine provides 1/8th of the global wheat market.
Ukraine was put under genocidal famine by the Soviet regime already now POOH-tin is doing it again.
All of Western science from Plato is based on racist eugenics from the wrong music theory - from "equal-tempered" tuning as logarithmic "social harmony" that justifies the inverse exponential wealth growth of the elite.
Germany pays Russia $1 billion a day for Nord Stream One natural gas. Pooh-tin is playing this energy dependence card - to keep funding his genocidal attack on Ukraine. Unless Germany shuts off those payments and gas then the Pooh-tin genocidal attack on Ukraine will continue escalating.
Germany continues to take Russian oil and Nord Stream gas, sending Putin nearly $1 billion a day. This is the commercial equivalent of the Hitler-Stalin pact.
I corresponded with Professor Sapolsky about 15 years ago - his mentor was Melvin Konner. I discussed his book, "The Tangled Wing" with Sapolsky. Sapolsky was wondering why male primates would leave their family nest - against evolution - and based on Konner's work - when the reproductive hormones become dominant then the incest taboo takes precedence. Before that the younger primates and younger mammals lack fear. I experienced this on the farm recently when a calf came up to me all alone - just its curiosity was primary. The fear and lust kicks in with the anger being a closely related liver energy. So in nonwestern cultures these are called lower emotions.
One of the nonviolent cultures that Ferguson discusses - it has the greeting, "How's your liver?" Because in that culture it is not considered allowed at all to express public anger! It's considered the epitome of shame to be angry. Also it's understood that the anger emotions then can escalate. So this is all based on a deeper understanding of psychophysiology that modern cultures lack once left brain dominance with right hand technology takes over.
Chimpanzees practice "female exogamy" which means the female leaves her family nest to go off to the males family. But in our original human culture the male instead moves in with the female's family and the male has to hunt for the female's family for three years before he can "consummate" the relationship with the female. So our original human culture was based on bonobo culture, not chimpanzee culture.
The scientific fact is that the San Bushmen survived the Mt. Toba supervolcano explosion and then moved up from South Africa to East Africa and from there spread around the world. So that's why they are the "original human culture."
"The current study provides "a much more satisfying answer," said Feldman. "We just didn’t have as much DNA data earlier," he said. Before this study, only a handful of Namibian Khoisan-speakers had been compared with other Africans. To get an accurate picture, the group needed to compare the genetics of different hunter-gatherer populations, as well as individuals within each population, at hundreds of thousands of sites in the DNA. According to Feldman, the researchers needed the participation of more Bushmen, and Brenna Henn, the paper’s first author, accomplished this.
The scientists analyzed variations in the individual nucleotide bases that make up DNA. They genotyped 650,000 such individual changes or "single-nucleotide polymorphisms" in people from 25 African populations. Apart from the click-speaking hunter-gatherer populations from South Africa and Tanzania, they also studied Pygmies and 21 agriculturalist populations. Statistical analysis showed that the Bushmen had the greatest genetic variation and are most likely to be the source population from which all other African populations diverged."
“There are things about the antiquity of the Bushmen’s culture that we didn’t know. A musicologist found very important music which was used at a woman’s first menarche called ‘elan music’ (honoring the fat-rich antelope). This ‘elan music’ was also present in other language groups of other Bushmen language groups and also the noun-less speakers who are not exactly Bushmen but they’re related. This means that way back before these groups diverged, somebody invented or composed (this) music and then they took it with them.”Interview with Dr. Elizabeth Marshall Thomas, Paula Gordon Show (Peterborough, New Hampshire, July 9, 2008).
“ The American anthropologist Lorna Marshall who, together with her family, worked with !Kung Bushmen in the early 1950s, likened this potency to electricity: it is a power that can be harnessed for the good of humankind, but intense concentration, if allowed to get out of control, can kill people.
Supernatural power -and the dance that activates it - lies behind the rock paintings and engraving, for which the Bushmen are justly famous.”
"What happens next, if you are male? You are having a terrific time with someone. Maybe you are breathing faster, your heart rate has increased. Gradually parts of your body are taking on a sympathetic [nervous system] tone ... After a while, most of your body is screaming sympathetic while, heroically, you are trying to hold onto the parasympathetic tone in that one last outpost as long as possible. Finally when you can't take it anymore, the parasympathetic shuts off at the penis, the sympathetic comes roaring on, and you ejaculate."
And so what happens through the trance dancing is similar to the strenuous "beyond human" Shaolin training that Qigong Master Chunyi Lin went through. When the sympathetic nervous system is pushed to its extreme then it rebounds to the opposite extreme of parasympathetic relaxation. "Parasympathetic rebound" was actually first documented by the MKULTRA-tied psychologist William Sargent who studied trance worldwide (although he did not discover any real true energy masters).
When this trance dancing is combined with the piezoelectric ionization process of the pressure on the collagen through deep breathing of the diaphragm then the vagus nerve is able to bring up the serotonin through the cerebrospinal fluid, along with the lecithin of the seminal fluid, to build up the brain neurons for increased serotonin cycling in the brain.
As the !Kunta Boo tells: “There is something acting on everything to change. We call this force of change n!o’an-ka|’ae. This is the most important Bushman word. It is the force that is making everything move… the secret of creation and transformation” (53).
For the Bushmen, these arrows and needles are compressed n|om, potent bundles of life force.
When our nails are clean and strong, we feel a vibrant buzzing and hear an uplifting tonal hum inside of us. There is always music in our heart and head” (12).
Dr. Kimerer LaMothe, Psychology Today review
"...a 'new maiden' to be the source of n/um (or /k'ode), the healing potency associated with male trance healers"p. 175 Guenther, Mathias, Tricksters and Trancers: Bushman Religion and Society,. Bloomington and Indianapolis, Indiana University Press, 1999
You see spirits killing people. You smell burning, rotten flesh. Then you heal, you pull sickness out. You heal, heal, heal. Then you live.”Healing Makes the Heart Happy
"A detailed analysis of African DNA found the San to be directly descended from the original human ancestors that populated Africa, and eventually spread to populate the rest of the world. The San DNA was found to be the most genetically diverse; indicating that they are likely the oldest continuous population of humans in Africa and thus on Earth."
All audio and video examples are listed below. To listen to an audio clip or view a video, click on the link.
Chapter One
Nthambi wa Mutwana. Kamba people of Kenya, recorded by Hugh Tracey (from Dance songs of the Kamba people from Machakos district, Kenya, ILAM, track 1).
Chapter Five
La Source de Chemchem. Hadza (from The Hadza Bushmen of Tanzania, disk 2, track 7).
Dorze Maskal Song. Dorze (from Ethiopia:Polyphony of the Dorze, recorded by Bernard Lortat-Jacob.)
Mbuti Pipers. Mbuti Pygmies (from On The Edge Of The Ituri Forest, recorded by Hugh Tracey.)
:Ouldeme Pipes. Ouldeme, Cameroon (from Cameroon:Flutes of the Mandara Mountains, recorded by Nathalie Fernando et Fabrice Marandola).
Russian Pipers from Plekhovo Village. Russia (recorded by Olga Velitchkina).
Panpipes of Buma. Solomon Islands (from Saydisc, Spirit of Melanesia).
Chapter Nine
Bosavi Yodeling. Kaluli People, New Guinea highlands (from Bosavi: Rainforest Music of Papua New Guinea, cd2, track 1, recorded by Steven Feld).
Women's Song. Guadalcanal, Solomon Islands (from the CD set Voices of the World, recorded and edited by Gilles Leothaud, Bernard Lortat-Jacob and Hugo Zemp).
Voice with Hindewhu. BaBenzele Pygmies (from Anthology Of World Music: Africa - Ba-Benzele Pygmies, recorded by Simha Arom).
Hocket with Voice and Pipe, Huli people, highland New Guinea (recorded by Artur Simon).
Russian Pipers. Plekhovo village, Russia. (Filmed by Olga Velitchkina).
:Ede Panpipes. Ede people, Vietnam (from Anthology of Ede Music, Musique du Monde).
Are’are pipers. ‘Are ‘are people, Solomon Islands (from Solomon Islands:The Sound of Bamboo, recorded by Buaoka & Sekine).
:Cuna Pipes. Cuna Indians, Panama (from Primitive Music of the World, Folkways).
:Banda Linda Trumpets. Banda Linda, Central African Republic (from Centrafrique: Trompes Banda Linda, recorded by Simha Arom).
Tytytitit. Ragai trumpets, Lithuania.
Chapter Eleven
:Lebanese Love Song (from Arabic and Druse Music, Smithsonian Folkways).
Toka Bihu. Assam (from Bihu, Smithsonian Folkways).
:LoveSong. Laos (Music of Southeast Asia, Smithsonian Folkways FW 04423, track 207).
Chang Poo Ta Ryong. Korea (Folk and Classical Music of Korea, Smithsonian Folkways FW04424, track 1).
FemaleVocal. India (Music of the Orient, Smithsonian Folkways 04157, track 305).
Ima nu Kazekumo. Japan (Folk Music of the Amami Islands, Smithsonian Folkways 04448).
Uchun Dur. Uzbekistan (The Silk Road: A Musical Caravan, Smithsonian Folkways 40438, track 6).
The River Herlen. Mongolia (The Silk Road: A Musical Caravan, Smithsonian Folkways 40438, track 18).
: Qingge-Love Song. Yi People, Yunnan Province, China (Baishibai:Songs of the minority nationalities of Yunnan, PAN 2038, track 26).
:I Should Die. Turkey (Bazaar Istanbul: Music of Turkey, Arc Music).
Chapter Twelve
:Garuli Naduri. Republic of Georgia (from Georgian Voices, the Rustavi Choir).
:Sutartine-Tureja Liepa. Lithuania (from website compiled by Skirmantė Valiulytė --
Russian Pipers. Plekhovo Village, Kursk.
:Zavan. Ouldeme People, Cameroon (from Cameroon:Flutes of the Mandara Mountains, recorded by Nathalie Fernando et Fabrice Marandola).
Swiss Cattle Herders (from “Voices of the World”, Chant du Monde 3741: disc 1, track 35).
Leva-Leva. Algarve, Portugal (from Anthology of Portuguese Music, Smithsonian Folkways 4538, Vol. 2, track 1)
: Amor Potest. Medieval Motet, concluding section (from Music of the Gothic Era: disc 1, track 8).
Chapter Thirteen Tralallero. Liguria, Italy (from Italian Treasury: Folk Music & Song of Italy, Rounder Records, recorded by Alan Lomax).
Koadrila Batsen Gara. Basque, northern Spain (from The Spanish Recordings: Basque Country, recorded by Alan Lomax, track 6).
Vetar Vee. Bulgaria (from Bulgarian Village and Folk Music, recorded by Ethel Raim and Martin Koenig)
Audio Example 46:Belarus Folksong (from Folk Music of the USSR, Smithsonian Folkways 4535, compiled by Henry Cowell).
Ttukunak. Xalaparta performance - Basque:
Traditional Bamboo Orchestra in Mesomagor - Ghana:
Are 'are Stamping Tubes, Solomon Islands (filmed by Hugo Zemp --
Toaca. Romania
:Lord Lovell. England (from An English Folk Music Anthology, Smithsonian Folkways).
Come on Girls to the Spinning House. Hungary (from Folk Music of Hungary, Smithsonian Folkways, collected under the supervision of Bela Bartok).
Riding Across a Forest of Green. Lithuania (from Lithuanian Folk Songs in the United States, Smithsonian Folkways).
Stornello Baresi. Italy (from Italian Folk Songs and Dances, Smithsonian Folkways).
Kyrgyz Song:
Kanapya. Kazak.
Zenel Kadrija. Albania.
Chapter Fourteen
Healing Song. Abau People, New Guinea (from Songs & Dances from Papua New Guinea, track 5, recorded by John Thornley).
Huli Yodeling. Huli People, New Guinea (from Emap FM – Music from Oceania ).
Dani. Dani People, New Guinea (from Emap FM – Music from Oceania).
Aka esime. Aka Pygmies, central Africa (from Musical Anthology of the Aka Pygmies, recorded by Simha Arom).
: Buka Singers with Pipes, Solomon Islands (from Emap FM – Music from Oceania).
Western Australia (from Emap FM – Music from Oceania).
: Traditional Song. Yuendumu Community, Central Australia (from Traditional Aboriginal Music:Sounds from the Bush, Arc Music, track 20).
CapeYork. Northeast Australia (from Emap FM – Music from Oceania).
-- Children of the Forest. Chenchu People, India.
Video Example Eight: Dance During Initiation Ceremony. Australia.
Chapter Fifteen
Pig Hunting Song. Aitape, New Guinea.
: Piaroa Horns. Piaroa Indians, Upper Orinoco, Venezuela (from The Columbia Library of World Music, Venezuela, recorded by Pierre Gaisseau).
Panpipes of Buma. Buma people, Malaita, Solomon Islands (from Spirit of Melanesia).
Kacharpaya Kantu. Bolivia (from Bolivia-Panpipes – UNESCO, track 4).
Sepik Flutes. Sepik Region, New Guinea (from Spirit of Melanesia).
The Mayantu. Iawa Indians, upper Amazon Basin, Peru (from Music of the Upper Amazon, Lyrichord LL157, recorded by Bertrand Flornoy).
: Nubia-Sissimungum. Madang region, northern New Guinea (from Windim Mambu:Sacred Flute Music from New Guinea, vol. 2, track 5, recorded by Ragnar Johnson).
Gomkail Flutes. Madang, N. Guinea (from Windim Mambu:Sacred Flute Music from New Guinea, vol. 2, track 1).
Camayura Sacred Flutes. Camayura, Amazon basin, Brazil (from Anthology of Central and South American Indian Music, Smithsonian Folkways 4542).
Amabele-o-iye (from On the Edge of the Ituri Forest, recorded by Hugh Tracey, track 16).
Audio Example 71: Ulahi and Eyobo sing at a waterfall. Kaluli People, Bosavi, New Guinea (from Bosavi: Rainforest Music From Papua New Guinea, Smithsonian Folkways, recorded by Steven Feld).
The Kaputio. Iawa Indians, Peru (from Music of the Upper Amazon, Lyrichord LL157, recorded by Bertrand Flornoy).
Lullabye. ‘Are’are People, Solomon Islands (from The Solomon Islands:Sounds of Bamboo, track 36).
Hoarotu Shamans, Warao, Venezuela (recording by Dale Olson, accompanying the book, Music of Many Cultures, Elizabeith May, Ed.).
: Powow Dance. Salish, N. America (American Indian Dances, Smithsonian Folkways.)
Chapter Sixteen
:Bonobos and Chimps. (Franz de Waal, Our Inner Ape website --
Video Example Nine: Siamang Gibbon Calls:
Siamang Singing:
:Mehinacu. Brazil. (From Saydisc, Disappearing World.)
:Mikea. Mikea People, Madagascar (From the Ocora CD, Madagascar, Pays Mikea.)
:Kamchatka. Siberia.
Eskimo Inuit Throat Singing:
:Ainu. Hokkaido, Japan.
:Hupa. Hupa Indians, California (from Lee Productions).
:Tcoqma. Ju’/hoansi Bushmen (from Namibia:Chants des Bushmen Ju’hoansi, recorded by Emmanuelle Olivier).
:Ketjak. Bali (from Golden Rain, recorded by David Lewiston).
Video Example 12:Masai Warrioors. Kenya.
Chapter Seventeen
Chek I Vendelar. Ouldeme of Cameroon (in Flutes of the Mandara Mountains).
Kiloloky. Mikea People, Madagascar (from Pays Mikea, Ocora Records).
Chapter Eighteen
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