Acoustic Alchemy: Revisiting Alain Connes Noncommutative quantum 2-sphere music

The heart is called Yi [unified power] becuz when intent moves, spirit is agitated; qi is dispersed. Qi is the Mother of spirit; Spirit is the child of qi. The Mother as qi is the horse that guides/conducts the river chariot (yin spirit) in the water (yin jing). Once your mind is away from the lower Elixir Field, your Qi will be led away from it and be consumed. By gathering the Shen into the lower tan tien then the Qi follows it there. Light of eyes descend as Yang fire inner yin qi line

Wednesday, December 4, 2019

Revisiting Alain Connes Noncommutative quantum 2-sphere music

standard music suggests dealing with new shapes which are quantum such as the quantum 2-spheres

I found this new Alain Connes quote - new for me. So then when I searched quantum 2-spheres I found this pdf again.

So I realized that the music theory HAS to apply to the above equation. So I had emailed Connes about what he meant by the noncommutative property of the music. He never responded. As I reread his quotes that I had transcribed - I realized that the verbal transcription of the math is where I had erred.

the ear is only sensitive to the ratio, not to the additivity...multiplication by 2 of the frequency and transposition, normally the simplest way is multiplication by 3...2 to the power of 19 is almost 3 to the power of 12....time emerges from noncommutativity....What about the relation with music? One finds quickly that music is best based on the scale (spectrum) which consists of all positive integer powers q to the nth for the real number q=2 to the 1/12th∼3 to the 1/19th. Due to the exponential growth of this spectrum, it cannot correspond to a familiar shape but to an object of dimension less than any strictly positive number.

So that is the quantum sphere - as the exponential growth - the above Connes quote.

But when he states 2 to the 12th and 3 to the 19th then Connes really means this:

So that is the inversion of 2 to the 19 and 3 to the 12 as this:

3 to the 12th=
531441
2 to the 19th=
524288

So I had been erroneously thinking Connes was stating 2 to the 12th and 3 to the 19th
When obviously he was stating the above quote from his pdf:

OK so now we go back to the exponential growth as the quantum sphere:

So that's how the student of Connes explains the math.

So as Connes explains:

It is precisely the irrationality of log(3)/ log(2) which is responsible for the noncommutative [complementary opposites as yin/yang] nature of the quotient corresponding to the three places {2, 3,∞}. The formula is in sub-space....Geometry would no longer be dependent on coordinates, it would be spectral

So by noncommutative again he is talking about the logarithmic versus the exponential being noncommutative to each other.

In mathematics, the binary logarithm (log2 n) is the power to which the number 2 must be raised ... Historically, the first application of binary logarithms was in music theory,

https://www.math.uwaterloo.ca/~mrubinst/tuning/12.html
and

Piano Tuning and Continued Fractions by Matthew Bartha, pdf

So the log(3) is noncommutative to the 19th root of 3 = 1.05953 when Connes states pdf:

https://en.wikipedia.org/wiki/Twelfth_root_of_two
622 hertz is the augmented 4th interval - aka square root of two as the tritone:

the ear is only sensitive to the ratio, not to the additivity...multiplication by 2 of the frequency and transposition, normally the simplest way is multiplication by 3...2 to the power of 19 is almost 3 to the power of 12....time emerges from noncommutativity

Such that 3 is now to the 12th not the 19th root of 3 while 2 is to the 19th and not the 12th root of 2.

Below is the full set of quotes that I transcribed from Connes:

“standard music suggests dealing with new shapes which are quantum such as the quantum 2-spheres....

On the other hand the stretching of geometric thinking imposed by passing to noncommutative spaces forces one to rethink about most of our familiar notions. ...And it could be formalized by music….I think we might succeed in this way to educate the human mind to deal with polyphonic situations in which several voices coexist, in which several states coexist, whereas our ordinary logical allows room for only one. Finally, we come back to the problem of adaptation, which has to be resolved in order for us to understand quantum correlation and interrelation which we discussed earlier, and which are fundamentally schizoid in nature. It is clear that logic will evolve in parallel with the development of quantum computers, just as it evolved with computer science. That will no doubt enable us to cross new borders and to better integrate the mathematical formalism of the quantum world into our metaphysical system....

When Riemann wrote his essay on the foundations of geometry, he was incredibly careful. He said his ideas might not apply in the very small. Why? He said that the notion of a solid body of a ray of light doesn't make sense in the very small. So he was incredibly smart. His idea, I have never been able to understand his intuition...But however he wrote down explicitly that the geometry of space, of spacetime, should be encapsulated, should be given by the forces which hold the space together. Now it turns out this is exactly what we give here...One day I understood the following: That we are born in quantum mechanics. We can not deny that... Quantum mechanics has been verified. The superposition principle has been verified. The spin system is really a sphere. This has been verified. This has been checked so many times. That we can not say that Nature is classical. No. Nature is quantum. Nature is very quantum. From this quantum stuff, we have to understand our vision, our very classical, because of natural selection way of seeing things can emerge. It's very very difficult of course. ...

Why should Nature require some noncommutativity for the algebra? This is very strange. For most people noncommutativity is a nuisance. You see because all of algebraic geometry is done with commutative variables. Let me try to convince you again, that this is a misgiving. OK?....Our view of the spacetime is only an approximation, not the finite points, it's not good for inflation. But the inverse space of spinors is finite dimensional. Their spectrum is SO DENSE that it appears continuous but it is not continuous.... It is only because one drops commutativity that variables with a continuous range can coexist with variables with a countable range....What is a parameter? The parameter is time...If you stay in the classical world, you can not have a good set up for variables. Because variables with a continuous range can not coexist with variables of discrete range. When you think more, you find out there is a perfect answer. And this answer is coming from quantum mechanics....The real variability in the world is exactly is where are you in the spectrum [frequency] of this variable or operator. And what is quite amazing is that in this work that I did at the very beginning of my mathematical studies, the amazing fact is that exactly time is emerging from the noncommutivity. You think that these variables do not commute, first of all it is that they don't commute so you can have the discrete variable that coexists with the continuous variable. What you find out after awhile is that the origin of time is probably quantum mechanical and its coming from the fact that thanks to noncommutativity ONLY that one can write the time evolution of a system, in temperature, in heat bath, the time evolution is really coming from the noncommutativity of the variables....

You really are in a different world, then the world of geometry, which we all like because we all like to draw pictures and think in a geometric manner. So what I am going to explain is a very strange way to think about geometry, from this point of view, which is quite different from drawing on the blackboard...I will start by asking an extremely simple question, which of course has a geometrical origin. I don't think there can be a simpler question. Where are we?....The mathematical question, what we want, to say where we are and this has two parts: What is our universe? What is the geometric space in which we are? And in which point in this universe we are. We can not answer the 2nd question without answering the first question, of course....You have to be able to tell the geometric space in an invariant manner....These invariants are refinements of the idea of the diameter. The inverse of the diameter of the space is related to the first Eigenoperator, capturing the vibrations of the space; the way you can hear the music of shapes...which would be its scale in the musical sense; this shape will have a certain number of notes, these notes will be given by the frequency and form the basic scale, at which the geometric object is vibrating....

The scale of a geometric shape is actually not enough.... However what emerges, if you know not only the various frequencies but also the chords, and the point will correspond to the chords. Then you know the complete thing....It's a rather delicate thing....There is a very strange mathematical fact...If you take manifolds of the same dimension, which are extremely different...the inverse space of the spinor doesn't distinguish between two manifolds. The Dirac Operator itself has a scale, so it's a spectrum [frequency]. And the only thing you need to know...is the relative position of the algebra...the Eigenfunctions of the Dirac Operator....a "universal scaling system," manifests itself in acoustic systems....There is something even simpler which is what happens with a single string. If we take the most elementary shape, which is the interval, what will happen when we make it vibrate, of course with the end points fixed, it will vibrate in a very extremely simple manner. Each of these will produce a sound...When you look at the eigenfunctions of the disk, at first you don't see a shape but when you look at very higher frequencies you see a parabola. If you want the dimension of the shape you are looking at, it is by the growth of these eigenvariables. When talking about a string it's a straight line. When looking at a two dimensional object you can tell that because the eigenspectrum is a parabola....

They are isospectral [frequency with the same area], even though they are geometrically different....when you take the square root of these numbers, they are the same [frequency] spectrum but they don't have the same chords. There are three types of notes which are different....What do I mean by possible chords? I mean now that you have eigenfunctions, coming from the drawing of the disk or square [triangle, etc.]. If you look at a point and you look at the eigenfunction, you can look at the value of the eigenfunction at this point.... The point [zero in space] makes a chord between two notes. When the value of the two eigenfunctions [2, 3, infinity] will be non-zero. ...The corresponding eigenfunctions only leave you one of the two pieces; so if there is is one in the piece, it is zero on the other piece and if it is non-zero in the piece it is zero there...You understand the finite invariant which is behind the scenes which is allowing you to recover the geometry from the spectrum....Our notion of point will emerge, a correlation of different frequencies...The space will be given by the scale. The music of the space will be done by the various chords. It's not enough to give the scale. You also have to give which chords are possible....The only thing that matters when you have these sequences are the ratios, the ear is only sensitive to the ratio, not to the additivity...multiplication by 2 of the frequency and transposition, normally the simplest way is multiplication by 3...2 to the power of 19 is almost 3 to the power of 12....You see what we are after....it should be a shape, it's spectrum looks like that...We can draw this spectrum...what do you get? It doesn't look at all like a parabola! It doesn't look at all like a parabola! It doesn't look at all like a straight line. It goes up exponentially fast...What is the dimension of this space?...It's much much smaller. It's zero...It's smaller than any positive.... Musical shape has geometric dimension zero... You think you are in bad shape because all the shapes we know ...but this is ignoring the noncommutative work. This is ignoring quantum groups. There is a beautiful answer to that, which is the quantum sphere... .There is a quantum sphere with a geometric dimension of zero...I have made a keyboard [from the quantum sphere]....This would be a musical instrument that would never get out of tune....It's purely spectral....

The spectrum of the Dirac Operator...space is not simply a manifold but multiplied by a noncommutative finite space......It is precisely the irrationality of log(3)/ log(2) which is responsible for the noncommutative [complementary opposites as yin/yang] nature of the quotient corresponding to the three places {2, 3,∞}. The formula is in sub-space....Geometry would no longer be dependent on coordinates, it would be spectral...The thing which is very unpleasant in this formula is the square root...especially for space with a meter....So there is a solution to this problem of the square root, which was found by Paul Dirac....It's not really Paul Dirac, it is Hamilton who found it first...the quaternions is the Dirac Operator....Replace the geometric space, by the algebra and the line element...for physicists this thing has a meaning, a propagator for the Dirac Operator. So it's the inverse of the Dirac Operator.... You don't lose anything. You can recover the distance from two points, in a different manner....but by sending a wave from point A to point B with a constraint on the vibration of the wave, can not vibrate faster than 1; because what I ask is the commutator of the Dirac Operator is less than 1...It no longer requires that the space is connected, it works for discrete space. It no longer requires that the space is commutative, because it works for noncommutative space....the algebra of coordinates depends very little on the actual structure and the line element is very important. What's really important is there interaction [the noncommutative chord]. When you let them interact in the same space then everything happens....You should never think of this finite space as being a commutative space. You have matrices which are given by a noncommutative space...To have a geometry you need to have an inverse space and a Dirac Operator...The inverse space of the finite space is 5 dimensional....

What emerges is finite space... a point of the geometric space "X" can be thought of as a correlation ...which encodes the scalar product at the point between the eigenfunctions of the Dirac operator associated to various frequencies, i.e. eigenvalues of the Dirac operator....It's related to mathematics and related to the fact that there is behind the scene, when I talk about the Dirac Operator, there is a square root, and this square root, when you take a square root there is an ambiguity. And the ambiguity that is there is coming from the spin structure.... We get this formula by counting the number of the variables of the line element that are bigger than the Planck Length. We just count and get an integer.... There is a fine structure in spacetime, exactly as there is a fine structure in spectrals [frequencies]....Geometry is born in quantum space; it is invariant because it is observer dependent....

Our brain is an incredible ...perceives things in momentum space of the photons we receive and manufactures a mental picture. Which is geometric. But what I am telling you is that I think ...that the fundamental thing is spectral [frequency]....And somehow in order to think we have to do this enormous Fourier Transform...not for functions but a Fourier Transform on geometry. By talking about the "music of shapes" is really a fourier transform of shape and the fact that we have to do it in reverse. This is a function that the brain does amazingly well, because we think geometrically....The quantum observables do no commute; the phase space of a microscopic system is actually a noncommutative space and that is what is behind the scenes all the time. They way I understand it is that some physical laws are so robust, is that if I understand it correctly, there is a marvelous mathematical structure that is underneath the law, not a value of a number, but a mathematical structure....A fascinating aspect of music...is that it allows one to develop further one's perception of the passing of time. This needs to be understood much better. Why is time passing? Or better: Why do we have the impression that time is passes? Because we are immersed in the heat bath of the 3K radiation from the Big Bang?...time emerges from noncommutativity....What about the relation with music?

One finds quickly that music is best based on the scale (spectrum) which consists of all positive integer powers q to nth for the real number q=2 to the 1/12th∼3 to the 1/19th. Due to the exponential growth of this spectrum, it cannot correspond to a familiar shape but to an object of dimension less than any strictly positive number. As explained in the talk, there is a beautiful space which has the correct spectrum: the quantum sphere of Poddles, Dabrowski, Sitarz, Brain, Landi et all. ... We experiment in the talk with this spectrum and show how well suited it is for playing music. The new geometry which encodes such new spaces, is then introduced in its spectral form, it is noncommutative geometry, which is then confronted with physics....Algebra and Music...music is linked to time exactly as algebra is....So for me, there is an incredible collusion between music, perceived in this way, and algebra. Fields Medal math professor Alain Connes,

The Spectral Model, Connes, et. al., 2013 pdf

No comments:

Relativistic Quantum physicist protege of Olivier Costa de Beauregard:

"Then comes the question: What would the de jure allowed, but de facto repressed, direct information-to-negentropy transition look like, and consist of? Well, such a phenomenon is nothing less than the one termed either 'precognition' or 'psychokinesis' in parapsychology....Why, then, if such phenomenon do exist, are they so alien to our Western culture, while, as it seems, they are alien neither to the more 'primitive' cultures nor to the elaborate cultures of the 'Far East'?..." Olivier Costa de Beauregard, protege of Nobel Physicist Louis de Broglie. "Do you know what the really brilliant piece of work here is? It's de Broglie! It's tremendous imagination. To find there are TWO oscillations where are EVERYWHERE AND IN ALL TIME IN PHASE AND YET IN DIFFERENT FREQUENCIES: THEY MOVE THROUGH ONE EACH other seemlessly - it's magnificient!" Martin van der Mark on the Law of Phase Harmony and why all matter is made of light due to 1/2 spin as Law of Phase Harmony: "the mean internal frequency of the photon will increase; simultaneously the orbital frequency of the photon will decrease due to the relativistic law of the slowing down of clocks." (see below for more details)

Orthodox Pythagorean philosophy=Daoist Neigong (noncommutative Eddie Oshins)

"However, even in this case there is a highly non-commutative world of higher order collectivity algebras B(n). This can be used to capture the geometry of rotations, like those appearing in the classical Pythagorean octave versus perfect fifth considerations." Music of Quantum Circles October 2017 DOI:10.1007/978-3-319-47337-6_11 In book: The Musical-Mathematical Mind (pp.99-110) Professor Micho Đurđevich https://www.matem.unam.mx/~micho/inde... Institute of Mathematics, UNAM, Mexico citing Alain Connes: "a non-commutative algebra naturally engenders a one-parameter group of automorphisms that makes it evolve, that makes it rotate in such a way that the passage from xy to yx corresponds to what evolution yields for the purely imaginary value t = sqrt(-1) of the parameter t of the evolution group. We must ... introduce evolution only after choosing a state in the algebra, but the evolution obtained is modified only by inner automorphisms and these are in a certain sense invisible. Here, I believe, is the key link that Hamilton sought between time and algebra. ..." In the book "Triangle of Thoughts" (American Mathematical Society, 2001) Alain Connes, Andre Lichnerowicz, and Marcel Paul Schutzenberger discuss the interrelationships among Mathematics, Physics, and Philosophy.

each zero point of geometry already has yin/yang as future (yang movement)/past (yin stillness)

As for O it is the "two emblems." O is the movement of yang. O is the stillness of yin.

The "O" will not be translated as Li included the symbol to refer to a reality at once underlying the three teachings and yet standing outside the categories of each teaching's doctrinal discourse.

p. 29

https://open.library.ubc.ca/media/download/pdf/831/1.0092419/1

PDF link on Ph.D. thesis on
Li Dao-Chun (李道純) was a 13th century Daoist Master in the line of the famous 4th generation Master of the southern Nei Dan lineage, Bai Yuchan. Li is author of the Zhōng Hé Jí (中和集) translated as Anthology on the Center and Harmony.

Resonance of Reality: Natural harmonics as natural numbers proven as Inverse Doppler Effect

Ancient Acoustic Alchemy of Pan instruments: flute, pipe, clarinet, recorder: "A fossil of flute discovered in Germany dated back to 25,000 years ago26. In contrast, it wasn’t until 1842 when the Doppler effect was first introduced to public, while the property of inverse Doppler effect may have been utilized for thousands of years. The bandwidth of conventional negative refraction metamaterials is inherently limited by the local resonance. However, the pipe instruments exhibit different negative refractive indices over a wide range of frequencies. It therefore can be used as a basic unit for designing various novel smart broadband acoustic metamaterials...This type of metamaterial is composed of Helmholtz resonators of which the group and phase velocities are opposite in direction near the resonant frequency."

Ancient Noncommutative Phase Natural Resonance proven as left-handed meta-material music

Transverse or Inverse Doppler Effect from Ancient Acoustic Alchemy music: " the theory of effective medium is only related to the size in the Y-Z plane and has no connection with the size along the X-axis. Along the Y-axis, the lattice constant (2.7 cm) of the sample is determined by the tube (0.7 cm in diameter) and the sponge substrate (2.0 cm in thickness). Along the Z-axis, there is a one-to-one correspondence between the meta-molecules with different lengths and sound waves with different wavelengths. For instance, the meta-molecule with a length of 9.8 cm corresponds to the sound wave with a wavelength of approximately 20 cm; the meta-molecule with a length of 2.9 cm corresponds to the sound wave with a wavelength of approximately 6 cm."

Tang Dynasty alchemy meditation

高上玉皇胎息經/Gaoshang Yuhuang Taixi Jing -The Most High Jade Emperor's Embryonic Breathing Classic

玉皇天尊曰:
Jade Emperor Tianzun said:

胎從伏氣中結, 氣從有胎中息。
The embryo comes from the Qi hidden away while breathing, Qi comes from having the embryo while breathing.

氣入身來謂之生, 神去離形謂之死。
Qi entering the body & arriving is called birth, Shen going & leaving the body is called death.

知神氣, 可以長生。
Knowing Shen & Qi, long life is possible.

故守虛無, 以養神氣。
Therefore, guard nothingness in order to cultivate Shen & Qi.

神行即氣行, 神住即氣住。
When the Shen moves then the Qi circulates, where the Shen stops then the Qi dwells.

若欲長生, 神氣相注。
If you desire a long life, mutually focus the Shen & Qi.

心不動念, 無來無去, 不出不入, 自然常在。
When the Xin isn't moved by thoughts, lacking coming & lacking going, without exiting & without entering, it will, naturally, always stay.

勤而行之, 是真道路。

Constantly practicing it is the true path of the Dao.

"When high energy substances of the subconscious mind emerges, they should be one's guiding force."

qigong master Yan Xin

Qigong Master Chunyi Lin on antigravity qigong levitation secret: "The essence [jing] of the metal is the sound and the essence [yuan jing] of the earth. That is from the universe [yuan qi] as the gravity when you breathe in the energy from this five elements perspective you breathe in that vibration from gravity, you feel that energy filling you up." http://springforestqigong.com

The MetaMaterial Universe - google book preview link on image

Noncommutative Phase MetaMaterial as de Broglie Law of Phase Harmony..." materials with negative refractions can induce inverse Doppler effects" A localized wave packed assembled from many plane waves can still be assigned a (four)momentum at each point. The four components of this momentum are the phase change rates in t,x,y and z given by the imaginary part of the first order derivatives in t,x,y and z. If you apply these first order derivatives on a plane wave then they'll give you the temporal and spatial frequencies of the de Broglie field. The de Broglie wavelength is simply the reciprocal of the spatial frequency. Realizing that the lag of the clock characterized oscillations inside the particle, he associated them with vibrations of the same frequency, but covering the whole space. And he showed that if an observer sees a particle in motion, then these spatial vibrations will seem to him waves propagating faster than a particle...

De Broglie Law of Phase Harmony as the Blue Light Beat Box of the Universe

Frequency is blue light from the future that moves backwards in time as an amplified subharmonic or 1/2 spin energy..."The inverse Doppler effect where an observer measures a higher frequency from a source moving away, is such an intriguing phenomenon that it has attracted substantial theoretical and experimental attention since it was first proposed... ...the energy-momentum flux will be larger in the blue shifted part than in the red shifted part....In a moving frame, they diverge: the mean internal frequency of the photon will increase; simultaneously the orbital frequency of the photon will decrease due to the relativistic law of the slowing down of clocks. Despite the difference in frequency, at any point in space-time these two oscillations must be in phase....This provides a possible physical origin for the postulated law of the "harmony of the phases" first proposed by de Broglie, which lies at the origin of quantum mechanics. ...In a head-on collision between two photons, the interaction will be essentially between the blue-shifted regions which are converging....This state may then decay back into two photons or into an electron-positron pair. Is the electron a photon with toroidal topology? J.G. Williamson and M.B. van der Mark, 1997" Realizing that the lag of the clock characterized oscillations inside the particle, he associated them with vibrations of the same frequency, but covering the whole space. And he showed that if an observer sees a particle in motion, then these spatial vibrations will seem to him waves propagating faster than a particle...

De Broglie-Einstein Law of Phase Harmony from meditation

Internal frequency during meditation is increased (blue light) while external time slows down (gets bigger) as an OM subharmonic sound of the Universe; External time speeds up (as seen by) others while their frequencies (as momentum) are decreased (to red light) in relation to meditation: Thereby maintain a constant phase coherence that is eternal Realizing that the lag of the clock characterized oscillations inside the particle, he associated them with vibrations of the same frequency, but covering the whole space. And he showed that if an observer sees a particle in motion, then these spatial vibrations will seem to him waves propagating faster than a particle...So Heisenberg Uncertainty of position and momentum is transferred into a symmetric mass measurement of particles - but what is covered up is that the position-momentum uncertainty started out, as de Broglie first discovered, with frequency as directly proportional to momentum! So that the "negative frequency" is reverse time as supermomentum or virtual photon energy-information from the future. As we recall from de Broglie: frequency is to time as momentum is to wavelength. So by relying on the wave function as amplitude squared from the wavelength then we are losing the de Broglie supermomentum as reverse time or negative frequency. As we look into a black hole, due to relativity, as the particle approaches the speed of light then the wavelength increases and time slows down. But the internal frequency, as de Broglie realized, based on quantum energy ALSO increases since the mass is due to noncommutative time-frequency (momentum). So the wavelength expands and gets bigger as the frequency of the particle as velocity increases towards the speed of light - due to relativity. But due to the music harmonics of frequency as inverse to time then since the frequency as momentum is increasing (from de Broglie) therefore if the time as wavelength is also increasing from relativity then there HAS to be a negative frequency from the future that has a reverse time. That way the quantum frequency as negative energy (virtual photons) is inverse to the negative time as EMPTINESS from the future. It is William Tiller (working indirectly with Chunyi Lin via Dr. Nisha Manek) that emphasizes the power of Yuan Qi is not from the frequency being negative as virtual photons but from the Negative TIME as negative mass! What both Alain Connes and Basil J. Hiley are emphasizing is that at each "zero point" of space there already is a 5th dimension of noncommutative time-frequency energy with the past and future overlapping. Nobel physicist Gerard 't Hooft agrees: The energy of light is due to it having a "negative refractive index" of spacetime at each zero point of space. So even though light has a zero rest mass the light is CREATING a positive mass as particles due to our own brain physical matter creating a positive refractive index that slows down the speed of light in our measurement perceptions. As Astro-physicist Paul S. Wesson realized - reality is a 5th dimension black hole such that everything is happening at the SAME time at the speed of light. So there is a definite energy to the Universe that is from the future - negentropy - and thus creates the illusion of matter due to light self-annihilating at the zero point of space. This is why H.W.L. Poonjaji and the nondualists of Advaita insist that NOTHING ever HAPPENS and that the SELF is NOT the light but rather the Shakti energy that creates the light - the OM of the light.

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Goethe's "The Living-Unit of Sound" is noncommutative phase secret of alchemy

Goethe's Tone-Monad as Gurdjieff alchemy: "a contraction towards an inaudible infinite centre. We could also say that this polarity constitutes the light and darkness of the tone. Insofar as all of the undertones and overtones themselves also have their own overtones and undertones, each tone becomes a monad, i.e. a concentration or fold of the web of interwoven expansion and contraction. The audible tone is thus a product of the two forces of contraction and expansion, systole and diastole. Each tone breathes in and out and is a living audible manifestation of an inaudible force-field. This virtual field of vibration or movement weaves an infinite web of expansion and contraction"

Louis de Broglie Law of Phase Harmony visualized

From the invariance of light as the observer, a superluminal phase wave guides, from the future, the space ship (our brains): the Law of Phase Harmony of relativistic quantum 5th Dimension force. Quantum physicist Dr. Guenter Nimtz sends superluminal sound signals through the 5th dimension: ."the superluminal acoustic effect we have described is likely a ubiquitous but imperceptible phenomenon in the everyday world." Physics Professor Manfred Euler: "Binaural hearing is the acoustic analog of the interferometer or double-slit experiments. The two ears can be regarded as an acoustic interferometer, which recovers the phase difference of signals between the two ears by binaural correlation….matter waves are locally in phase with the superluminal particle clocks (de Broglie’s Law of Phase Harmony). The clock runs forever so it’s self-sustaining (consciousness-energy). It resonates with the quantum vacuum....Yet an acoustical answer can be given! Play the above mentioned infinitely rising tune and listen to a parable of scientific progress: The progress goes on but the central epistemological questions remain invariant."

The 5th Dimension is now being utilized as spin chirality of light, the hidden momentum

"Spin resonance was found to occur when the base oscillatory frequency was twice the value of the coupled frequency." This is the secret of the T'ai Chi as the Hempel Effect - 1 plus 1 does not equal 2 in noncommutative phase harmonics. The third harmonic is noncommutative to the root 1 and 2 octave. "An underlying curved space-time provides a distinct contribution to a chiral imbalance, an effect known as the mixed axial–gravitational anomal....We also show, for the first time, how to measure the magnetic spin density of light,...Black hole elasticity and gapped transverse phonons in holography" Nobel Physicist Yang: ."An electrically charged particle is affected by an electromagnetic potential (V, A), despite being confined to a region in which both the magnetic field B and electric field E are zero. If the electric charge through gauge invariance creates an electromagnetic field, wouldn't this isotopic spin also generate a field? And that is the motivation.." Nobel Laureate physicist CN Yang A single photon has such little momentum transfer so then it is amplified through a mirror feedback at the same frequency. Since sound waves are just 1 dimension, so this makes the transduction easier. The entanglement through beam splitting of the mechanical resonator enables frequency transduction while maintaining phase coherence. Total Reflection can approach Unity if Pitch is Half the Wavelength [octave], close to the qubit transition frequency [noncommutative phase]

Jing to Qi is nonlinear harmonics resonance

Raising the body temperature is synonymous with an increased immune response. Professor Abo from Japan confirmed a 40% improvement in the function of the immune system by raising the body temperature by only 1.8° Fahrenheit. Another scientist, Ishihara Yumi, PhD (Japan), established that our immune system much stronger when the body temperature is increased by 1.8°; inversely, the immune system is weakened by 30% if the body temperature is lowered by 1.8°. His statistical analyses revealed a decline in body temperature amongst the Japanese population by an average of 0.9° over the last 50 years. In his studies, Professor Hiromi Shinya, PhD (Albert Einstein College of Medicine, NY, USA) confirmed that, lowering the body temperature by only 0.9°, results in a 30% decline in enzyme and immune activity. He also discovered that cancer cells can multiply much faster at 95°F than at 98.6°F

Eddie Oshins discovers secret of non-western shamanism as quantum noncommutative phase

Nega-particles as reverse time (anti-gravity) guide light as noncommutative energy-information

The Ether-Aether-Emptiness has been Empirically Proven: Yakir Aharonov: "There is a non-local exchange that depends on the modular variable....I'm saying that I have now an intuitive picture to understand interference by saying that when a particle moves through two slits, it always goes through one slit or the other, but it knows which other slit, the slit through which it did not go, whether it is open or not, because there are nonlocal equations of motion." Finally making sense of the double-slit experiment (2017, Aharonov): The nonlocal equations of motion in the Heisenberg picture thus allow us to consider a particle going through only one of the slits, but it nevertheless has nonlocal information regarding the other slit.... The Heisenberg picture, however, offers a different explanation for the loss of interference that is not in the language of collapse: if one of the slits is closed by the experimenter, a nonlocal exchange of modular momentum with the particle occurs....Alternatively, in the Heisenberg picture, the particle has both a definite location and a nonlocal modular momentum that can “sense” the presence of the other slit and therefore, create interference...""What is the effect of this nonlocal motion?...The idea is the following then...In the beginning I certainly don't know through which slit the particle is going because I want to know the module momentum. Then I wait for the interference pattern to happen and after it happens I can check whether the particle was coming from this side [slit] or coming from that side [slit] by a future experiment." "So if I'm able to describe the situation in the present by two vectors: one coming from the future that will tell me through which path the particle went and one coming from the past that tells me that the modular momentum is definite. Then I can see, indeed, there's nonlocal phenomena and not violating causality, because I said I know only from the future through which path the particle went. This is the basic idea and now I will try to describe it more mathematically." as John Bell states: "Is it not clear from the diffraction and interference patterns, that the motion of the particle is directed by the wave?" Grant Sanderson, math/science Stanford: Unlike the doppler radar case where the ambiguity arose because waves were being used to measure an object with a definite distance and speed; what we're seeing here is the particle IS the wave - so the spread out over space and over momentum is not some artifact of imperfect measurement techniques; It's a spread fundamental to what the particle is: analogous to how a musical note being spread out over time is fundamental to what it even means to be a musical note. Grant Sanderson, Math/science degree, Stanford University

Astrophysicist Paul S. Wesson figured out the Law of Phase Harmony explained spiritual phenomenon

Professor Paul S. Wesson realized, the 4D spacetime universe exists in a holographic 5D black hole. Wesson:

...the presence of oscillations in the vacuum have the same properties as de Broglie waves....5D field equations which in 4D has the properties of a de Broglie wave....the difference can show up as a small perturbation which leads to an effect similar to quantum uncertainty...

a "wavicle" is two simultaneous realizations of flat space, one with waves and one without.

From the viewpoint of 5D field theory, waves of de Broglie type have to be considered real.So in 5D all particles behave like photons and everything in the universe is in causal contact with everything else.

an oscillatory phase, which might (if a person is so inclined) be identified with... spiritual modes of existence...separation
between points is zero, so all of the events in the world are in (5D) causal contact. In other words, everything is occurring simultaneously. There is no plausible way to avoid the conclusion that particles which can be seen moving at speeds less than c should be accompanied by waves which cannot be seen and are moving at speeds greater than c.

de Broglie waves are better understood in 5D ...characteristic of inflationary cosmology...its 5D complex generalization...as a model for de Broglie waves. A null interval admits, in a formal sense, velocities in 3D which exceed lightspeed.

a particle not as a point but a tiny ball of trapped waves. ..some of it verging on the mystical.De Broglie waves follow automatically when the expressions for the energy of a particle [E=mc squared] and a wave [E=Planck's Constant multipled by frequency] are combined.

This, admittedly, sounds strange.

Whether one believes in a model like this that straddles physics and spirituality is up to the individual....However it is remarkable that such a model can even be formulated, bridging as it does realms of experience which traditionally have been viewed as immutably separate.

"We were simply studying these circuits for the purpose of developing an amplifier, which we did," says researcher Sorin Paraoanu, a theoretical physicist at Aalto University. "But then we asked ourselves—what if there is no signal to amplify? What happens if the vacuum is the signal?"
https://www.scientificamerican.com/article/something-from-nothing-vacuum-can-yield-flashes-of-light/

Also, a simple connection between Q_M and relativity theory for the De Broglie particle/pilot wave concept shows that v_p v_w = c² is required, where the subscripts p and w refer to particle and wave, respectively. Thus, since v_p < c, always, via relativity theory, v_w> c always for the information wave components making up the De Broglie pilot wave.

http://www.entelechyjournal.com/httpdocs/billtiller.htm

"When high energy substances of the subconscious mind emerges, they should be one's guiding force."
qigong master Yan Xin

The Hempel Effect

Visually, the frequency and amplitude changes but the EAR hears no difference - both phases are the Perfect Fifth just inverted as undivided yin-yang (the Taiji). I was discussing noncommutative phase with Nobel physicist Brian Josephson - and he said that I didn't understand how octaves were a geometric logarithm - so that C to G is 3/2 yet G to C is 3/4 as the harmonic series. So I tried to point out to him that since the 2 and 4 are the SAME C as "pitch" - then in the same octave, when doubled back, you can not HAVE the same G as Both the Perfect Fifth and Perfect Fourth. Why? Because 3/4 is the reverse direction in time - so that now the "3" is the denominator as a new root tonic. And so the harmonic series assumes this is a logarithmic equation as a ratio that can be inverted - but you can not evenly divide the octave and the Perfect Fifth since 2 does not go into 3 evenly. So this means that 3/4 is actually C to F while C to G is 3/2 and the C to F was derived from doubling 2/3. So this is called the "phantom tonic" in music theory and reveals the noncommutative phase origin of the music harmonics - as Alain Connes recognizes. Let us draw up a fundamental vibration with its first and second harmonic overtones [1:2 and 2:3]….if we then shift the phase relationship, we get a totally different course of the combined curve; that is, of the pressure course [amplitude and frequency] which is apparently effective in the final analysis. When looking at both curves, one might suppose that in the two cases we should hear two sounds that are just as different. But in fact our ear does not notice any difference. biophysicist Vitus B. Dröscher states in his book, Magic of the Senses, p. 168 I defer to Cambridge University physicist R D Patterson who, in his classic academic “Psychology of Music” journal paper on the spiral pulse-stream processor—describes how period is inverse to pitch and natural integars for pitch create a free-energy transduction from the ear (sound-wave-mechanical pressure, water pressure-electromechinical transduction) to the brain. Normally period is measured in frequency—as is the case with the photoelectric effect—but since period is the inverse of pitch then the natural number integars of frequency as period can be translated back to Pythagorean Just Tuning as the Natural integar numbers of Infinite Quantum Potential. However, because the human ear is not sensitive to the phase of a sound, only its amplitude or intensity, only the magnitude of the envelope is heard. Therefore, subjectively, the frequency of the envelope seems to have twice the frequency

Philolaus relied on noncommutative phase, same as Daoist alchemy harmonics

Philolaus relied on noncommutative phase, same as Daoist alchemy harmonics, 4/3 (yin, C to F harmonic) within 3/2 Yang (C to G overtone) as Yang (3/2) is within yin (4/3) 0 to 8 is the 3/2 frequency (2/3 as C to F subharmonic of 0 to 12 now converted to 6/8 as 3/4 wavelength of 0 to 8 root tonic!) Professor Richard McKirahan: "So instead of taking 12:9, which is 3/4 of 12, we take 8:6, which is 3/4 of 8. And so by adding the length 12 to 8 [as geometric magnitude not wavelength!!] with the length 8 to 6, [as geometric magnitude, not wavelength!!] we get the length 12 to 6, which corresponds to the ratio 2:1." So he states: "beginning at the bottom note...and descending via another (a fifth above the bottom note)." So he says "bottom note" twice to emphasize they are symmetric and then says "via another" to HIDE that the "other" is the OCTAVE!! That is the bait and switch - and then he says - (1, 4) = (7, 5) What is (1, 4)? It is a Perfect Fourth which is the PITCH of C to F (overtone, 4/3). Anyone who actually knows how to play music would not fall for this bait and switch! What is (7, 5)? It is a Perfect Fourth which is the PITCH of C to G! "The term subcontrary may refer to the fact that a tone based on this mean reverses the order of the two fundamental musical intervals in a scale. It is believed that Archytas or one of his contemporaries gave the name "harmonic" to the subcontrary mean because....[book source: Infinite Series cover up of the noncommutative "bait and switch"]. Math professor Luigi Borzacchini: "Boethius’ text that I am going to analyze shows that the early musical theory of incommensurability was somehow known, even though it had been overcome by a sudden rupture." Professor Richard McKirahan: "The word translated epogdoic is not a musical term but a mathematical one. An epogdoic ratio is the ratio of 9 to 8. The occurrence of a mathematical term here is unexpected. It has been treated as an unimportant anomaly but in fact it is the key to the entire fragment....The word magnitude normally refers to physical size, but here it is given a new application, extending the notion of magnitude to include musical intervals." Or as Professor Borzacchini states: " These remarks raise the question of the difference between the ancient Pythagorean ‘musical’ perception as displayed in the Pythagorean idea of ‘linear number’ in Boethius [Philolaus] or in Nicomachus, and the modern ‘geometrical’ perception of the linear numerical magnitudes."

Ancient Advanced Acoustic Alchemy - free training book

Wednesday, December 4, 2019

Revisiting Alain Connes Noncommutative quantum 2-sphere music

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