Dear Dr. Jerome Lewis: Thank you for your article on language, music and dance. (pdf book) I did my master's thesis on music and nonwestern
philosophy meditation. All human cultures use the Octave, Perfect Fifth
and Perfect Fourth but only in the West, since the "Greek Miracle," were
those music intervals "compromised" into logarithmic, symmetric
geometric ratios. I have corresponded with math professor Luigi
Borzacchini on this topic, a cover-up of the secret music origins of
Western science that he published with the remarks of "really
astonishing," and "shocking" and a "deep pre-established disharmony"
that is the "guiding evolutive principle of science."
So
it is quite ironic when we study the "music" of nonwestern cultures but
at the same time we can't help but project our own "scientific" biases
of what music is. Fields Medal math professor Alain Connes provides an
amazing example of this. He argues that the Octave, Perfect Fifth and
Perfect Fourth are "noncommutative" and therefore provide the "formal
language" for a unified field model of reality, that is relativistic
quantum science. So this is quite fascinating as it corroborated my own
insights into why I studied nonwestern philosophy based on nonwestern
music theory. Only, of course, since Connes has his Western music bias
(he practices Chopin at home) he then thinks that Western music with the
logarithmic tuning is the best-case scenario (despite relying on this
more fundamental noncommutative phase logic). And so he thinks that
oral-based music lacks the sophistication of say written music like
orchestration where multiple different spacetime clefs are occurring at
once. I've trained in orchestration so I know precisely what he is
referring to (transposing the clefs in "real time" at the piano - for
all the instruments).
So then Eddie Oshins at
Stanford Linear Accelerator Center did discover the secret. He was
tasked with studying quantum psychology and like Connes, Oshins realized
it is the noncommutative phase logic that explains quantum psychology.
But Oshins also trained in and taught Wing Chun (the lineage of Bruce
Lee). Oshins realized the secret of nonwestern meditation (as Daoist
alchemy called Neigong) was explained and actuated due to the
noncommutative phase logic! This is again something I had figured out on
my own so I was very happy to discover Oshins had also made this
realization. But Oshins remains unknowned except among the other SLAC
scientists. He worked with math professor Louis Kauffman for example and
so I've corresponded with Kauffman about this noncommutative phase
logic.
So then how does this relate back to the
original human culture relying on dance and music for spiritual
training? Well if you study the book "Taoist Yoga: Alchemy and
Immortality" then the secrets are revealed. For example for males the
left hand is yang and the right hand is yin while the lower body is yin
and upper body is yang. So simply by putting the left hand facing the
lower body and right hand facing the upper body you "activate" the
noncommutative phase logic (that is non-local) and so you create free
energy. So in the SAn Bushmen culture - the females sleep on the left
hand side of the fire while the males sleep on the right hand side.
Females are "yang" internally as the original N/om healers. In India
this philosophy is called the "three gunas" - the oldest philosophy of
India. As in China, it also is from music theory. You are probably aware
of Dr. Victor Grauer tracing the spread of the San Bushmen music
culture around the world.
So I have researched
this secret in detail - I have a "training" pdf based on quantum biology
(as the San Bushmen culture really practiced relativistic quantum
biology!). Also I've written quite a few pdfs and articles on this -
it's all free - linked through http://elixirfield.blogspot.com
thanks,
drew hempel
p.s. feel free to have a "conservation" with me on this topic. I read Chris Knight's book Blood Relations over 10 years ago.
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